9780714842950: Constable
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| SKU |
9780714842950 |
| Title |
Constable |
| Author Description |
Jonathan Clarkson |
| Uri |
|
| Web Author Description |
Jonathan Clarkson lectures on the history and theory of art at the School of Art and Design, University of Wales Institute, Cardiff. He has written widely on Constable and was co-editor of Constable and Wivenhoe Park: Reality and Vision (2000). He has also published essays on contemporary painting, photography and sculpture, and was co-editor of Sense of Place (2006) documenting a Europe-wide programme of exhibitions of site-specific art.
|
| webLongDescription |
This new monograph explores the career of John Constable (1776–1837), one of the most important nineteenth-century British artists and the quintessential English landscapist. The painter who pioneered outdoor painting and elevated landscape subjects to such masterpieces as The Hay Wain, Flatford Mill and Dedham Lock – seeing his art as a natural philosophy and each work as a searching experiment – is presented afresh in this approachable yet inquiring new appraisal. In his thorough survey, Jonathan Clarkson offers the reader comprehensive assessment of Constable’s oeuvre: from his earliest line drawings to the last masterpieces, including pencil drawings, quick outdoor oil sketches, painstakingly worked studio canvases, and less well-known portraits. Clarkson investigates what we actually see in these great paintings and, set against the rapidly changing way of life in nineteenth-century Britain, Constable's paintings are shown to be both portraits of a disappearing world and reflections of the artist’s belief that 'painting is a science, and should be pursued as an inquiry into the laws of nature'. Constable has been condemned for presenting a wilfully inauthentic vision of the early nineteenth-century English countryside, which was ravaged by unemployment, crime and intense poverty in the years following the Napoleonic wars. But his importance for the development of Realism and for painting as a practice in itself cannot be underestimated. Combining biographical detail with a rich historical and cultural context, Clarkson discusses Constable’s theories and technique in depth, revealing the revolutionary influence Constable had on painting, from his own time to the present day. |
| Binding |
Hardback |
| Size |
Size: 290 x 250 mm (11 3/8 x 9 7/8 in) |
| Pages |
Pages: 224 |
| Illustrations |
150 |
JSON Data
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