9780714843032: Guy Bourdin
Open Assets in IntranetMain Image
Shopify Checkout Image
Carousel Images
Carousel images MISSING
Open Edition Text In Intranet
JSON Data
{"authorDescription":"Alison Gingeras","bookshot2d":null,"bookshot3d":null,"bookshot3dSquare":null,"categories":[],"date":"","editionId":12098,"guid":"fde73c40-5c7a-4a3f-b082-dcf30ddf9587","images":[],"markets":{"AUD":{"discountPrice":null,"inventory_policy":"continue","price":"35.00","show":false},"CAD":{"discountPrice":null,"inventory_policy":"continue","price":"35.00","show":false},"EUR":{"discountPrice":null,"inventory_policy":"continue","price":"24.95","show":false},"GBP":{"discountPrice":null,"inventory_policy":"continue","price":"16.95","show":false},"TEST":{"discountPrice":null,"inventory_policy":"continue","price":"0.00","show":false},"USD":{"discountPrice":null,"inventory_policy":"continue","price":"27.95","show":false}},"related":[],"sku":"9780714843032","source":"BOOKs","specifications":{"binding":"Hardback","colIlls":"30","extent":"128","language":"English","lenInch":"9 5/8","lenMm":"245","weightKilo":"0.64","widthInch":"8 1/4","widthMm":"210"},"status":false,"subtitle":"","title":"Guy Bourdin ","uri":"","webAuthorDescription":"Alison Gingeras is an international curator and writer based in Paris. She held the post of Curator of Contemporary Art Exhibitions and Collections at the Centre Pompidou, Paris (1999 to 2004) and was a member of the curatorial team at the Solomon R. Guggenheim Museum, New York from 1995 to 1999. She is on the editorial committee of \u003ci\u003eTate.Etc\u003c/i\u003e. magazine and has written dozens of exhibition catalogue texts and essays on contemporary artists.","webDescription":"","webKeywords":"","webLongDescription":"\u003cp\u003e\u003cbr /\u003eGuy Bourdin was born in Paris in 1928 and received his first photographic training whilst performing military service in Senegal in 1948–9. His photographs were first shown in Paris in 1952, the catalogue for which exhibition included an introduction by Man Ray, and he began working for French \u003ci\u003eVogue\u003c/i\u003e in 1954. \u003c/p\u003e\u003cp\u003eInspired by Surrealism, and specifically the work of Man Ray, with whom he struck up a relationship, Bourdin rejected the descriptive roles of photography in favour of an exploration of the medium's capacity for the divergent. He broke with tradition in that he remained above all an artist and an inventor, somewhat in the manner of Man Ray. Along with certain American photographers, notably Edward Weston, Bourdin recognized a concern with formal perfection and extremely high finish that became his own objective, one perfectly adapted to the deceptive sophistication of fashion imagery, the terrain in which he developed his ideas for over thirty years. \u003c/p\u003e\u003cp\u003eAt French \u003ci\u003eVogue\u003c/i\u003e, Bourdin demanded and was allowed unique editorial control and amazingly he extended this to his principal client in advertising, the shoe company Charles Jourdan, who first commissioned him in the 1960s. Bourdin's approach to campaigns reflected a distinct change for advertising in this period. Where it had once been dominated by selling the intangibles of class, alongside the merchandise, Bourdin rejected the 'product shot' in favour of atmospheric, often surreal tableaux and suggestions of narrative. Bourdin was not alone in demystifying the object, but he was the most radical in his approach. \u003cbr /\u003e\u003cbr /\u003eThe impact of the imagery of Guy Bourdin on both commercial and fine art photography continues to resonate today, Bourdin made radical changes both in the style and the meaning of commercial imagery. His fashion shoots are mysterious, hypnotic, surreal, exposing the true and unnerving nature of desire. He shows that, within the context of fashion, it is rarely the product that compels us. It is the image – carefully staged narrative of sexual fantasy, the quest for the unattainable, the suggestion of danger – that stimulates consumer desire. \u003cbr /\u003e\u003c/p\u003e","webReviews":"'A damn good storyteller who condensed carefully orchestrated narratives into a single photograph that both shocked and fascinated his audience ... Capturing every possible sexual taboo, his images consequently changed the face of '70s and '80s fashion photography.' \u003cem\u003e(i-D)\u003c/em\u003e","webShortDescription":"An introduction to the work of the groundbreaking fashion photographer, Guy Bourdin"}