9780714845074: Stephen Shore
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{"authorDescription":"Stephen Shore","bookshot2d":null,"bookshot3d":null,"bookshot3dSquare":null,"categories":[],"date":"","editionId":11516,"guid":"04a7c759-0366-4c3d-9935-f22a6e82ae05","images":[],"markets":{"AUD":{"discountPrice":null,"inventory_policy":"continue","price":"69.95","show":false},"CAD":{"discountPrice":null,"inventory_policy":"continue","price":"69.95","show":false},"EUR":{"discountPrice":null,"inventory_policy":"continue","price":"49.95","show":false},"GBP":{"discountPrice":null,"inventory_policy":"continue","price":"35.00","show":false},"TEST":{"discountPrice":null,"inventory_policy":"continue","price":"0.00","show":false},"USD":{"discountPrice":null,"inventory_policy":"continue","price":"55.00","show":false}},"related":[],"sku":"9780714845074","source":"BOOKs","specifications":{"binding":"Hardback","colIlls":"0","extent":"224","language":"English","lenInch":"9 5/8","lenMm":"245","weightKilo":"1.22","widthInch":"8 1/4","widthMm":"210"},"status":false,"subtitle":"American Surfaces","title":"Stephen Shore","uri":"","webAuthorDescription":"At the age of 17, Stephen Shore (b.1947) was a regular at Andy Warhol's Factory. By the age of 23, he became the first living photographer to have a one-man show at the Metropolitan Museum of Art, New York. An unrivalled pioneer in his field, his work has been exhibited in numerous museums worldwide and influenced generations of photographers. In 1982 he was appointed Director of the Photography Program at Bard College, New York where he is now the Susan Weber Soros Professor in the Arts.","webDescription":"","webKeywords":"","webLongDescription":"\u003cp\u003eIn 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with just a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. \u003c/p\u003e\u003cp\u003eThe project was entitled \u003ci\u003eAmerican Surfaces\u003c/i\u003e, in reference to the superficial nature of his brief encounters with places and people, and the underlying character of the images that he hoped to capture. Shore photographed relentlessly and returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. \u003c/p\u003e\u003cp\u003eThe result was hundreds and hundreds of exquisitely composed colour pictures, that became the benchmark for documenting our fast-living, consumer-orientated world. The corpus of his work - following on from Walker Evans' and Robert Frank's epic experiences of crossing America - influenced photographers such as Martin Parr and Bernd \u0026amp; Hilla Becher, who in turn introduced a new generation of students to Shore's work.\u003c/p\u003e","webReviews":"'As a recorder of the fleeting but highly charged moments in the everyday, the weight of Shore's influence is undeniable.' \u003cem\u003e(Creative Review) \u003cbr /\u003e\u003cbr /\u003e\u003c/em\u003e'[Shore's] exquisitely composed colour photographs became the benchmark for documenting our consumer-driven, fast-living world.' \u003cem\u003e(Lexus magazine)\u003c/em\u003e","webShortDescription":"A photo-diary of Stephen Shore's experience crossing America in the 1970s."}