9780714845234: Minimalism
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{"authorDescription":"Edited by James Meyer","bookshot2d":null,"bookshot3d":null,"bookshot3dSquare":null,"categories":[],"date":"","editionId":11553,"guid":"55d5e6ff-8045-4d03-924d-342b8e257314","images":[],"markets":{"AUD":{"discountPrice":null,"inventory_policy":"continue","price":"55.00","show":false},"CAD":{"discountPrice":null,"inventory_policy":"continue","price":"59.95","show":false},"EUR":{"discountPrice":null,"inventory_policy":"continue","price":"39.95","show":false},"GBP":{"discountPrice":null,"inventory_policy":"continue","price":"27.95","show":false},"TEST":{"discountPrice":null,"inventory_policy":"continue","price":"0.00","show":false},"USD":{"discountPrice":null,"inventory_policy":"continue","price":"45.00","show":false}},"related":[],"sku":"9780714845234","source":"BOOKs","specifications":{"binding":"Paperback","colIlls":"0","extent":"304","language":"English","lenInch":"11 3/8","lenMm":"290","weightKilo":"1.53","widthInch":"9 7/8","widthMm":"250"},"status":false,"subtitle":"","title":"Minimalism","uri":"","webAuthorDescription":"\u003cp\u003e\u003cb\u003eJames Meyer\u003c/b\u003e is a writer and art historian who has been teaching contemporary art and critical theory at Emory University, Atlanta, since 1994. He is a noted specialist and lecturer in Minimalism, as well as other forms of American art of the 1960s, and contemporary forms of institutional critique. \u003c/p\u003e\u003cp\u003eMeyer has written extensively on Minimal artists. Publications include \u003ci\u003eMinimalism: Art and Polemics in the 1960s\u003c/i\u003e (Yale, 2001); he has contributed essays to \u003ci\u003eMel Bochner: Thought Made Visible 1966–1973\u003c/i\u003e (Yale, 1995); \u003ci\u003eEllsworth Kelly: Sculpture for a Large Wall, 1957\u003c/i\u003e (Matthew Marks Gallery, 1998); \u003ci\u003eEva Hesse: A Retrospective\u003c/i\u003e, ed. Elisabeth Sussman (San Francisco Museum of Modern Art, 2002); \u003ci\u003eConceptual Art: Theory, Myth, Practice\u003c/i\u003e (Cambridge, 2004) and \u003ci\u003eA Minimal Future\u003c/i\u003e (Museum of Contemporary Art, Los Angeles, 2004). He is the editor of \u003ci\u003eCarl André, Cuts=Texts, 1999–2004\u003c/i\u003e (MIT Press, 2005) and has contributed to journals \u003ci\u003eArtforum\u003c/i\u003e, \u003ci\u003eArt Magazine\u003c/i\u003e, \u003ci\u003eFlash Art\u003c/i\u003e and \u003ci\u003eParkett.\u003c/i\u003e\u003c/p\u003e","webDescription":"","webKeywords":"","webLongDescription":"\u003cp\u003eMinimalism comprises one of the key movements in post-war art. The term 'minimalism' was coined to describe the work of a group of American artists who, in the 1960s, produced a decidedly unexpressionistic, reductive work with a hard industrial feel. While numerous minimalist painters exist, among them Robert Ryman, Robert Mangold and Brice Marden, most of the key Minimalists - Andre, Flavin, Judd, LeWitt and Morris - produced sculptures or, as some put it, 'specific objects' or 'objects in a world of objects'. \u003c/p\u003e\u003cp\u003eAlthough none of the artists actually accepted the term 'Minimalism', their common use of serial, modular or repeating forms (from Carl Andre's floor sculptures of readymade bricks or Judd's stacked boxes) as well as the abstraction and industrial production of the work, drew these artists' work together. As opposed to the vulgar and populist Pop Art, Minimalism, like conceptualism, considered itself 'high art'. These artists' aim was to create an art that was non-hierarchical (no single part of the work takes precedence over any other) and thus entirely democratic. \u003cbr /\u003e\u003cbr /\u003eWith direct access to many of the artists' archives, this book is the most comprehensive and definitive sourcebook on Minimalism available. \u003cbr /\u003e\u003cbr /\u003e\u003cb\u003eSurvey\u003c/b\u003e Critic and art historian James Meyer, a leading authority on Minimalism, examines the movement from its beginnings to its broader cultural influence. \u003cbr /\u003e\u003cbr /\u003e\u003cb\u003eWorks\u003c/b\u003e provides an extensive colour plate section with extended captions for every artwork. The excellent selection of images illustrates the surprising variety of work, and also relates it to other artists such as Eva Hesse and Robert Smithson. \u003cbr /\u003e\u003cbr /\u003e\u003cb\u003eDocuments\u003c/b\u003e includes seminal texts, previously unpublished material and documents from little-known or out-of-print catalogues.\u003c/p\u003e","webReviews":"\u003cp\u003e\u0026quot;Readers will learn as much about the subject as one book can be expected to deliver.\u0026quot;\u0026#8212;\u003cem\u003eBarry Schwabsky, Bookforum\u003c/em\u003e\u003c/p\u003e\u003cp\u003e\u0026quot;Well written... An excellent \u0026#8216;Documents\u0026#8217; section that allows a proper investigation of the movement\u0026#8217;s theoretical bases.\u0026quot;\u0026#8212;\u003cem\u003eArt Review\u003c/em\u003e\u003c/p\u003e\u003cp\u003e\u0026quot;Phaidon's Themes and Movements series seeks to provide the late 20th-century art history books of the future.\u0026quot;\u0026#8212;\u003cem\u003eArt Monthly\u003c/em\u003e\u003c/p\u003e","webShortDescription":"A beautifully illustrated book, internationally recognized as the definitive survey of Minimalism, now available in paperback"}