9780714847924: Shadow Chamber
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{"authorDescription":"Introduction by Robert A Sobieszek ","bookshot2d":null,"bookshot3d":null,"bookshot3dSquare":null,"categories":[],"date":"","editionId":13101,"guid":"b918f2d0-0115-4c47-8890-dc47ce3384c9","images":[],"markets":{"AUD":{"discountPrice":null,"inventory_policy":"continue","price":"49.95","show":false},"CAD":{"discountPrice":null,"inventory_policy":"continue","price":"49.95","show":false},"EUR":{"discountPrice":null,"inventory_policy":"continue","price":"39.95","show":false},"GBP":{"discountPrice":null,"inventory_policy":"continue","price":"24.95","show":false},"TEST":{"discountPrice":null,"inventory_policy":"continue","price":"0.00","show":false},"USD":{"discountPrice":null,"inventory_policy":"continue","price":"39.95","show":false}},"related":[],"sku":"9780714847924","source":"BOOKs","specifications":{"binding":"Paperback","colIlls":"0","extent":"128","language":"English","lenInch":"11 7/8","lenMm":"300","weightKilo":"0.918","widthInch":"11","widthMm":"280"},"status":false,"subtitle":"","title":"Shadow Chamber","uri":"","webAuthorDescription":"\u003cp\u003eRobert A Sobieszek (1943-2005) was Curator of Photography at the Los Angeles County Museum of Art. Before moving to Los Angeles in 1990, he served in various curatorial positions, including Director of Photographic Collections at the George Eastman House in Rochester, New York. He organized over 50 exhibitions and authored 10 books, including LACMA's \u003ci\u003eRobert Smithson: Photo Works\u003c/i\u003e and \u003ci\u003eThe Camera I: Photographic Self-Portraits from the Audrey and Sydney Irmas Collection\u003c/i\u003e. \u003c/p\u003e\u003cp\u003eBorn in New York City in 1950, Roger Ballen has lived and worked in Johannesburg, South Africa for almost 30 years. The son of a picture editor at Magnum, he worked as a geologist and mining consultant before starting his own photographic career by documenting the small villages of rural South Africa and their isolated inhabitants. His images are both powerful social statements and disturbing psychological studies. Ballen's previous book \u003ci\u003eOutland\u003c/i\u003e (2001), also published by Phaidon, is indisputably one of the most extraordinary photographic documents of the late twentieth century.\u003c/p\u003e","webDescription":"","webKeywords":"","webLongDescription":"\u003cp\u003eSince the late 1990s, Roger Ballen's work has moved away from the category of documentary photography and into the realms of fiction. Though he continues to portray people on the fringes of South African society, his subjects began to act out dark and disconcerting tableaux, providing images that are as exciting as they are disturbing - undermined by flashes of dark humour.\u003c/p\u003e\u003cp\u003eBallen's most recent images are painterly and sculptural in ways not immediately associated with photography. There is no digital imaging involved: everything shown has happened in front of the camera. The images are completely honest, and yet they are also fabricated. \u003c/p\u003e\u003cp\u003eIn \u003ci\u003eShadow Chamber\u003c/i\u003e, Ballen focuses on the interactions between the people, animals and objects that inhabit his unique image space. The rooms in his pictures are actual places that we know to exist, yet they are made unsettling and strange, logical yet utterly impossible. The human and animal beings in Ballen's photographs appear isolated, estranged and lost, yet strangely empowered at the same time.\u003c/p\u003e\u003cp\u003eIn 2002, Ballen was named Photographer of the Year by Rencontres d'Arles. His work is included in numerous important private and public collections, including the Brooklyn Museum, New York; Le Centre Georges Pompidou, Paris; the Johannesburg Art Museum, South Africa; the Los Angeles County Museum of Art; the Museum of Fine Arts, Houston; and the Museum of Modern Art, New York. \u003cbr /\u003e\u003c/p\u003e","webReviews":"'The images are compelling, with the repeated symbolism playing out recurring themes that we are only partly allowed access to...These are not easy viewing pictures, they're uncomfortable and dark and I can't say why I like them, but I do. And I'm not alone.' (Elizabeth Roberts, \u003cem\u003eB\u0026amp;W\u003c/em\u003e)","webShortDescription":"Striking, ambiguous images from Johannesburg-based photographer Roger Ballen."}