| SKU | 9780714848099 |
|---|---|
| Title | Understanding Architecture |
| Author Description | Robert McCarter and Juhani Pallasmaa |
| Uri | store/architecture/understanding-architecture-9780714848099/ |
| Web Author Description | Robert McCarter is a practicing architect and has been Ruth and Norman Moore Professor of Architecture at Washington University in St. Louis since 2007. He taught previously at the University of Florida, where he was Director of the School of Architecture from 1991–2001, and Columbia University, among other schools. He has written for numerous international publications, and his books include: Grafton Architects (2018); Marcel Breuer (2016); Steven Holl (2015); Alvar Aalto (2014); Carlo Scarpa (2013); Understanding Architecture, co-authored with Juhani Pallasmaa (2012); and Louis I Kahn (2005), all by Phaidon Press. He has also published The Work of MacKay-Lyons Sweetapple Architects: Economy as Ethic (2017); The Space Within: Interior Experience as the Origin of Architecture (2016); and Aldo van Eyck (2015), among other books. Juhani Pallasmaa is one of Finland's most distinguished architects and architectural thinkers. Pallasmaa is the author/editor of 24 books, including The Eyes of the Skin: Architecture an the Senses (1995, 2nd edition 2005), The Architecture of Image: Existential Space in Cinema (2001) and Encounters (2005). |
| webLongDescription | Intended both as an introductory text for students as well as an accessible read for the general public, Understanding Architecture is a primer for understanding the basic principles of architecture. The volume is organized in to 12 chapters, based on key architectural themes (space, time, matter, gravity, light, silence, dwelling, room, ritual, memory, landscape and place). Each chapter begins with an introductory essay (approx 2,000 words) by Juhani Pallasmaa that includes a wide variety of historical examples from around the world, followed by 6 in-depth analyses of key buildings that further exemplify the theme (each about 1,000 words). Each essay has approximately 6 images that illustrate the buildings and ideas discussed in the essay text. Each building analysis is accompanied a plan showing the route of the 'walkthrough' given in the text as well as 5-6 photographs showing the key points of that building. By focusing on the direct experience of architecture and by combining a broad historical sweep with a jargon-free study of space, this book is a unique introduction to architecture. Contents: Introduction - Architecture as Experience Chapter 1: SPACE Existential and Architectural Space The Pantheon, Rome, Italy Piazza del Campo, Sienna, Italy Santo Spirito, Florence, Italy, Filippo Brunelleschi Unity Temple, Oak Park, Illinois, US, Frank Lloyd Wright Chapel of Notre-Dame-du-Haut, Ronchamp, France, Le Corbusier Our Mary of the Angels Cathedral, Los Angeles, California, US, Rafael Moneo Chapter 2: TIME The Space of Time Theater at Epidaurus, Greece Palace, Fatehpur Sikri, India Soane House, London, UK, Sir John Soane Castelvecchio Museum, Verona, Italy, Carlo Scarpa Myyrmaki Church and Parish Center, Vantaa, Finland, Juha Leiviska Church on the Water, Hokkaido, Japan, Tadao Ando Chapter 3: MATTER Matter, Hapticity and Time Temples of Amon-Ra and Khonsu, Karnak, Egypt Santa Maria dei Miracoli, Venice, Italy, Pietro Lombardo Post Office Savings Bank, Vienna, Austria, Otto Wagner German Pavilion, Barcelona, Spain, Ludwig Mies van der Rohe Law Courts Extension, Gothenburg, Sweden, Erik Gunnar Asplund St. Petri Church, Klippan, Sweden, Sigurd Lewerentz Chapter 4: GRAVITY Force, Form and Structure Baths of Caracalla, Rome, Italy Church of Saint Front, Perigueux, France Maison de Verre, Paris, France, Pierre Chareau Exeter Library, Exeter, New Hampshire, US, Louis Kahn DeMenil Gallery, Houston, Texas, US, Renzo Piano Thermal Baths, Vals, Switzerland, Peter Zumthor Chapter 5: LIGHT Material Tactility of Light Hagia Sofia, Istanbul, Turkey, Anthemius of Tralles Chartres Cathedral, Chartres, France S. Carlo alle Quatro Fontane, Rome, Italy, Francesco Borromini Neresheim Abbey Church, Neresheim, Germany, Balthasar Neumann Church of the Three Crosses, Imatra, Finland, Alvar Aalto Kimbell Museum, Fort Worth, Texas, US, Louis Kahn Chapter 6: SILENCE The Silent Voice of Architecture The Pyramids, Giza, Egypt Temples at Paestum, Italy Maya City of Uxmal, Yucatan, Mexico Cloister, S. Maria della Pace, Rome, Italy, Bramante Chapel and Convent of the Capuchinas, Mexico City, Mexico, Luis Barragan Salk Institute for Biological Studies, La Jolla, California, US, Louis Kahn Chapter 7: DWELLING Architecture, Dwelling and Home Dogon Village, Bandiagara, Mali, West Africa Roman Atrium House, Pompei, Italy Villa Rotonda, Vicenza, Italy, Andrea Palladio Darwin Martin House, Buffalo, New York, US, Frank Lloyd Wright Villa Mairea, Noormarkku, Finland, Alvar Aalto Simpson-Lee House, Mount Wilson, NSW, Australia, Glenn Murcutt Chapter 8: ROOM The Rooms of Memory Laurentian Library, Florence, Italy, Michelangelo Biblioteque Nationale, Paris, France, Henri Labrouste Karntner American Bar, Vienna, Austria, Adolf Loos Schroeder House, Utrecht, The Netherlands, Gerrit Reitveld Johnson Wax Company Building, Racine, Wisconsin, US, Frank Lloyd Wright Chapel of St. Ignatius, Seattle, Washington, US, Steven Holl Chapter 9: RITUAL The Form of Ritual Trajan's Market, Rome, Italy, Apollodoros Ise Shrine, Nagoya, Japan Certosa di Firenze, Florence, Italy Sagrada Familia Cathedral, Barcelona, Spain, Antonio Gaudi Grand Central Train Station, New York, US, Warren and Wetmore Villa Savoye, Poissy, France, Le Corbusier Chapter 10: MEMORY Memory and the Lifeworld Palace at Knossos, Crete The Alhambra, Granada, Spain Chapel of the Holy Shroud, Turin, Italy, Guarino Guarini Resurrection Chapel, Turku Cemetery, Finland, Erik Bryggman Brion Cemetery, San Vito in Altivole, Italy, Carlo Scarpa Museum of American Folk Art, New York, US, Tod Williams and Billie Tsien Chapter 11: LANDSCAPE The Internalized Landscape Hadrian's Villa, Tivoli, Italy Katsura Villa, Kyoto, Japan The University of Virginia, Charlottesville, Virginia, US, Thomas Jefferson Woodland Cemetery, Stockholm, Sweden, E.G. Asplund and Sigurd Lewerentz Fallingwater, Mill Run, Pennsylvania, US, Frank Lloyd Wright Swimming Pools on the Sea, Leca da |
| Binding | Hardback |
| Size | Size: 270 x 205 mm (10 5/8 x 8 1/8 in) |
| Pages | Pages: 448 |
| Illustrations | 500 |
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He taught previously at the University of Florida, where he was Director of the School of Architecture from 1991\u0026#8211;2001, and Columbia University, among other schools. He has written for numerous international publications, and his books include: \u003cem\u003eGrafton Architects\u003c/em\u003e (2018); \u003cem\u003eMarcel Breuer\u003c/em\u003e (2016); \u003cem\u003eSteven Holl\u003c/em\u003e (2015); \u003cem\u003eAlvar Aalto\u003c/em\u003e (2014); \u003cem\u003eCarlo Scarpa\u003c/em\u003e (2013); \u003cem\u003eUnderstanding Architecture\u003c/em\u003e, co-authored with Juhani Pallasmaa (2012); and \u003cem\u003eLouis I Kahn\u003c/em\u003e (2005), all by Phaidon Press. He has also published \u003cem\u003eThe Work of MacKay-Lyons Sweetapple Architects: Economy as Ethic\u003c/em\u003e (2017); \u003cem\u003eThe Space Within: Interior Experience as the Origin of Architecture\u003c/em\u003e (2016); and \u003cem\u003eAldo van Eyck\u003c/em\u003e (2015), among other books.\u003c/p\u003e\n\u003cp\u003eJuhani Pallasmaa is one of Finland's most distinguished architects and architectural thinkers. Pallasmaa is the author/editor of 24 books, including \u003cem\u003eThe Eyes of the Skin: Architecture an the Senses\u003c/em\u003e (1995, 2\u003csup\u003end\u003c/sup\u003e edition 2005), \u003cem\u003eThe Architecture of Image: Existential Space in Cinema\u003c/em\u003e (2001) and \u003cem\u003eEncounters\u003cem\u003e (2005).\u003c/em\u003e\u003c/em\u003e\u003c/p\u003e","webDescription":"","webKeywords":"","webLongDescription":"\u003cp\u003eIntended both as an introductory text for students as well as an accessible read for the general public, \u003ci\u003eUnderstanding Architecture\u003c/i\u003e is a primer for understanding the basic principles of architecture.\u003cbr /\u003e\u003c/p\u003e\u003cp\u003eThe volume is organized in to 12 chapters, based on key architectural themes (space, time, matter, gravity, light, silence, dwelling, room, ritual, memory, landscape and place). Each chapter begins with an introductory essay (approx 2,000 words) by Juhani Pallasmaa that includes a wide variety of historical examples from around the world, followed by 6 in-depth analyses of key buildings that further exemplify the theme (each about 1,000 words). \u003cbr /\u003e\u003c/p\u003e\u003cp\u003eEach essay has approximately 6 images that illustrate the buildings and ideas discussed in the essay text. Each building analysis is accompanied a plan showing the route of the 'walkthrough' given in the text as well as 5-6 photographs showing the key points of that building. \u003cbr /\u003e\u003c/p\u003e\u003cp\u003eBy focusing on the direct experience of architecture and by combining a broad historical sweep with a jargon-free study of space, this book is a unique introduction to architecture.\u003cbr /\u003e\u003c/p\u003e\u003cp\u003eContents:\u003c/p\u003e\u003cp\u003eIntroduction\u003ci\u003e - Architecture as Experience\u003c/i\u003e\u003cbr /\u003e\u003c/p\u003e\u003cp\u003eChapter 1: SPACE\u003cbr /\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003eExistential and Architectural Space\u003c/i\u003e\u003c/p\u003e\u003cp\u003eThe Pantheon, Rome, Italy\u003c/p\u003e\u003cp\u003ePiazza del Campo, Sienna, Italy\u003c/p\u003e\u003cp\u003eSanto Spirito, Florence, Italy, Filippo Brunelleschi\u003c/p\u003e\u003cp\u003eUnity Temple, Oak Park, Illinois, US, Frank Lloyd Wright\u003c/p\u003e\u003cp\u003eChapel of Notre-Dame-du-Haut, Ronchamp, France, Le Corbusier\u003c/p\u003e\u003cp\u003eOur Mary of the Angels Cathedral, Los Angeles, California, US, Rafael Moneo\u003cbr /\u003e\u003c/p\u003e\u003cp\u003eChapter 2: TIME\u003cbr /\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003eThe Space of Time\u003c/i\u003e\u003c/p\u003e\u003cp\u003eTheater at Epidaurus, Greece\u003c/p\u003e\u003cp\u003ePalace, Fatehpur Sikri, India\u003c/p\u003e\u003cp\u003eSoane House, London, UK, Sir John Soane\u003c/p\u003e\u003cp\u003eCastelvecchio Museum, Verona, Italy, Carlo Scarpa\u003c/p\u003e\u003cp\u003eMyyrmaki Church and Parish Center, Vantaa, Finland, Juha Leiviska\u003c/p\u003e\u003cp\u003eChurch on the Water, Hokkaido, Japan, Tadao Ando\u003cbr /\u003e\u003c/p\u003e\u003cp\u003eChapter 3: MATTER\u003c/p\u003e\u003cp\u003e\u003ci\u003eMatter, Hapticity and Time\u003c/i\u003e\u003c/p\u003e\u003cp\u003eTemples of Amon-Ra and Khonsu, Karnak, Egypt\u003c/p\u003e\u003cp\u003eSanta Maria dei Miracoli, Venice, Italy, Pietro Lombardo\u003c/p\u003e\u003cp\u003ePost Office Savings Bank, Vienna, Austria, Otto Wagner\u003c/p\u003e\u003cp\u003eGerman Pavilion, Barcelona, Spain, Ludwig Mies van der Rohe\u003c/p\u003e\u003cp\u003eLaw Courts Extension, Gothenburg, Sweden, Erik Gunnar Asplund\u003c/p\u003e\u003cp\u003eSt. Petri Church, Klippan, Sweden, Sigurd Lewerentz\u003cbr /\u003e\u003c/p\u003e\u003cp\u003eChapter 4: GRAVITY\u003cbr /\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003eForce, Form and Structure\u003c/i\u003e\u003c/p\u003e\u003cp\u003eBaths of Caracalla, Rome, Italy\u003c/p\u003e\u003cp\u003eChurch of Saint Front, Perigueux, France\u003c/p\u003e\u003cp\u003eMaison de Verre, Paris, France, Pierre Chareau\u003c/p\u003e\u003cp\u003eExeter Library, Exeter, New Hampshire, US, Louis Kahn\u003c/p\u003e\u003cp\u003eDeMenil Gallery, Houston, Texas, US, Renzo Piano\u003c/p\u003e\u003cp\u003eThermal Baths, Vals, Switzerland, Peter Zumthor\u003cbr /\u003e\u003c/p\u003e\u003cp\u003eChapter 5: LIGHT\u003cbr /\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003eMaterial Tactility of Light\u003c/i\u003e\u003c/p\u003e\u003cp\u003eHagia Sofia, Istanbul, Turkey, Anthemius of Tralles\u003c/p\u003e\u003cp\u003eChartres Cathedral, Chartres, France\u003c/p\u003e\u003cp\u003eS. Carlo alle Quatro Fontane, Rome, Italy, Francesco Borromini\u003c/p\u003e\u003cp\u003eNeresheim Abbey Church, Neresheim, Germany, Balthasar Neumann\u003c/p\u003e\u003cp\u003eChurch of the Three Crosses, Imatra, Finland, Alvar Aalto\u003c/p\u003e\u003cp\u003eKimbell Museum, Fort Worth, Texas, US, Louis Kahn\u003cbr /\u003e\u003c/p\u003e\u003cp\u003eChapter 6: SILENCE\u003cbr /\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003eThe Silent Voice of Architecture\u003c/i\u003e\u003c/p\u003e\u003cp\u003eThe Pyramids, Giza, Egypt\u003c/p\u003e\u003cp\u003eTemples at Paestum, Italy\u003c/p\u003e\u003cp\u003eMaya City of Uxmal, Yucatan, Mexico\u003c/p\u003e\u003cp\u003eCloister, S. Maria della Pace, Rome, Italy, Bramante\u003c/p\u003e\u003cp\u003eChapel and Convent of the Capuchinas, Mexico City, Mexico, Luis Barragan\u003c/p\u003e\u003cp\u003eSalk Institute for Biological Studies, La Jolla, California, US, Louis Kahn\u003cbr /\u003e\u003c/p\u003e\u003cp\u003eChapter 7: DWELLING\u003cbr /\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003eArchitecture, Dwelling and Home\u003c/i\u003e\u003c/p\u003e\u003cp\u003eDogon Village, Bandiagara, Mali, West Africa\u003c/p\u003e\u003cp\u003eRoman Atrium House, Pompei, Italy\u003c/p\u003e\u003cp\u003eVilla Rotonda, Vicenza, Italy, Andrea Palladio\u003c/p\u003e\u003cp\u003eDarwin Martin House, Buffalo, New York, US, Frank Lloyd Wright\u003c/p\u003e\u003cp\u003eVilla Mairea, Noormarkku, Finland, Alvar Aalto\u003c/p\u003e\u003cp\u003eSimpson-Lee House, Mount Wilson, NSW, Australia, Glenn Murcutt\u003cbr /\u003e\u003c/p\u003e\u003cp\u003eChapter 8: ROOM\u003cbr /\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003eThe Rooms of Memory\u003c/i\u003e\u003c/p\u003e\u003cp\u003eLaurentian Library, Florence, Italy, Michelangelo\u003c/p\u003e\u003cp\u003eBiblioteque Nationale, Paris, France, Henri Labrouste\u003c/p\u003e\u003cp\u003eKarntner American Bar, Vienna, Austria, Adolf Loos\u003c/p\u003e\u003cp\u003eSchroeder House, Utrecht, The Netherlands, Gerrit Reitveld\u003c/p\u003e\u003cp\u003eJohnson Wax Company Building, Racine, Wisconsin, US, Frank Lloyd Wright\u003c/p\u003e\u003cp\u003eChapel of St. Ignatius, Seattle, Washington, US, Steven Holl\u003cbr /\u003e\u003c/p\u003e\u003cp\u003eChapter 9: RITUAL\u003cbr /\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003eThe Form of Ritual\u003c/i\u003e\u003c/p\u003e\u003cp\u003eTrajan's Market, Rome, Italy, Apollodoros\u003c/p\u003e\u003cp\u003eIse Shrine, Nagoya, Japan\u003c/p\u003e\u003cp\u003eCertosa di Firenze, Florence, Italy\u003c/p\u003e\u003cp\u003eSagrada Familia Cathedral, Barcelona, Spain, Antonio Gaudi\u003c/p\u003e\u003cp\u003eGrand Central Train Station, New York, US, Warren and Wetmore\u003c/p\u003e\u003cp\u003eVilla Savoye, Poissy, France, Le Corbusier\u003c/p\u003e\u003cp\u003eChapter 10: MEMORY\u003cbr /\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003eMemory and the Lifeworld\u003c/i\u003e\u003c/p\u003e\u003cp\u003ePalace at Knossos, Crete\u003c/p\u003e\u003cp\u003eThe Alhambra, Granada, Spain\u003c/p\u003e\u003cp\u003eChapel of the Holy Shroud, Turin, Italy, Guarino Guarini\u003c/p\u003e\u003cp\u003eResurrection Chapel, Turku Cemetery, Finland, Erik Bryggman\u003c/p\u003e\u003cp\u003eBrion Cemetery, San Vito in Altivole, Italy, Carlo Scarpa\u003c/p\u003e\u003cp\u003eMuseum of American Folk Art, New York, US, Tod Williams and Billie Tsien\u003cbr /\u003e\u003c/p\u003e\u003cp\u003eChapter 11: LANDSCAPE\u003cbr /\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003eThe Internalized Landscape\u003c/i\u003e\u003c/p\u003e\u003cp\u003eHadrian's Villa, Tivoli, Italy\u003c/p\u003e\u003cp\u003eKatsura Villa, Kyoto, Japan\u003c/p\u003e\u003cp\u003eThe University of Virginia, Charlottesville, Virginia, US, Thomas Jefferson\u003c/p\u003e\u003cp\u003eWoodland Cemetery, Stockholm, Sweden, E.G. Asplund and Sigurd Lewerentz\u003c/p\u003e\u003cp\u003eFallingwater, Mill Run, Pennsylvania, US, Frank Lloyd Wright\u003c/p\u003e\u003cp\u003eSwimming Pools on the Sea, Leca da \u003c/p\u003e","webReviews":"\u003cp\u003e\u0026quot;A renewed acquaintance with great buildings - always a refreshing venture.\u0026quot; \u0026#8212;\u003cem\u003eAIA NY's Oculus\u003c/em\u003e\u003c/p\u003e","webShortDescription":"A unique introduction to architecture through 72 key buildings."}