9780714848822: Tomma Abts
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| SKU | 9780714848822 |
|---|---|
| Title | Tomma Abts |
| Author Description | Laura Hoptman, Bruce Hainley, Jan Verwoert |
| Uri | store/art/tomma-abts-9780714848822/ |
| Web Author Description | Laura Hoptman is Senior Curator at the New Museum of Contemporary Art in New York, where her exhibitions have included 'Unmonumental' (2007) accompanied by a book published by Phaidon, which she co-curated with Richard Flood and Massimiliano Gioni, and 'Tomma Abts' (2008), the artist's first major exhibition in the United States. In addition to writing for a range of contemporary art magazines, including Frieze, Parkett and Flash Art, she contributed to Yayoi Kusama (2000), also published by Phaidon. |
| webLongDescription | Born in Germany and based in London, Tomma Abts has received considerable acclaim for her paintings and drawings. Her work has been shown at such major international exhibitions as the Berlin Biennial (2006) and the Carnegie International (2004), as well as at prestigious museums across Europe, including Kunsthalle Basel (2005) and Van Abbemuseum (2004). In 2006 she was awarded the Turner Prize. Each Tomma Abts painting is the result of an intuitive process, a complex operation of addition and substraction. Within rigid parameters – unvarying materials and size – she conjures a progression of shapes and colours, building layer upon layer of seemingly spontaneous geometry until the work reaches its culmination: an abstract arrangement in perfect tension. This volume, the artist's first extensive monograph, provides a comprehensive survey of her work, with full-colour images of thirty-seven paintings, and eighteen drawings, as well as three specially commissioned essays. In the first essay, Laura Hoptman dismantles abstraction's historical framework to illustrate the uniqueness of Abts' approach. Jan Verwoert meditates on the subversive power of contemplation, findind in Abts' artistic process a validation of "the beauty of latency." And Bruce Hainley gazes at Abts' work through the fictional eyes of Margit Carstensen – actress, muse, and star of Rainer Werner Fassbinder's The Bitter Tears of Petra Von Kant. |
| Binding | Hardback |
| Size | Size: 261 x 200 mm (10 1/4 x 7 7/8 in) |
| Pages | Pages: 136 |
| Illustrations | 60 |
JSON Data
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In addition to writing for a range of contemporary art magazines, including \u003cem\u003eFrieze\u003c/em\u003e, \u003cem\u003eParkett \u003c/em\u003eand \u003cem\u003eFlash Art\u003c/em\u003e, she contributed to \u003cem\u003eYayoi Kusama \u003c/em\u003e(2000), also published by Phaidon.\u003cbr /\u003e\u003cbr /\u003eBruce Hainley is Contributing Editor at \u003cem\u003eArtforum \u003c/em\u003emagazine and author of the books \u003cem\u003eFoul Mouth \u003c/em\u003e(2006) and \u003cem\u003eArt: A Sex Book \u003c/em\u003e(2003, with John Waters).\u003cbr /\u003e\u003cbr /\u003eJan Verwoert is Contributing Editor at \u003cem\u003eFrieze \u003c/em\u003emagazine. He writes regularly for a range of art publications, including \u003cem\u003eAfterall \u003c/em\u003eand \u003cem\u003eMetropolis M\u003c/em\u003e, and is the author of \u003cem\u003eBas Jan Ader: In Search of the Miraculous \u003c/em\u003e(2006). He teaches art and theory at the Piet Zwart Institute, Rotterdam, and the Royal College of Art, London.\u003c/p\u003e","webDescription":"Tomma Abts by Laura Hoptman, et al. The first major monograph dedicated to the work of the internationally acclaimed abstract painter. Order online from the Phaidon Store.","webKeywords":"","webLongDescription":"\u003cp\u003eBorn in Germany and based in London, Tomma Abts has received considerable acclaim for her paintings and drawings. Her work has been shown at such major international exhibitions as the Berlin Biennial (2006) and the Carnegie International (2004), as well as at prestigious museums across Europe, including Kunsthalle Basel (2005) and Van Abbemuseum (2004). In 2006 she was awarded the Turner Prize.\u003c/p\u003e\u003cp\u003eEach Tomma Abts painting is the result of an intuitive process, a complex operation of addition and substraction. Within rigid parameters – unvarying materials and size – she conjures a progression of shapes and colours, building layer upon layer of seemingly spontaneous geometry until the work reaches its culmination: an abstract arrangement in perfect tension.\u003c/p\u003e\u003cp\u003eThis volume, the artist's first extensive monograph, provides a comprehensive survey of her work, with full-colour images of thirty-seven paintings, and eighteen drawings, as well as three specially commissioned essays. In the first essay, Laura Hoptman dismantles abstraction's historical framework to illustrate the uniqueness of Abts' approach. Jan Verwoert meditates on the subversive power of contemplation, findind in Abts' artistic process a validation of \"the beauty of latency.\" And Bruce Hainley gazes at Abts' work through the fictional eyes of Margit Carstensen – actress, muse, and star of Rainer Werner Fassbinder's The Bitter Tears of Petra Von Kant.\u003c/p\u003e","webReviews":"\u003cp\u003e\u0026quot;Descriptions of each building and case study are extraordinarily successful... [This book] achieves what Kahn often outlined as the ultimate challenge for an architect: capturing the mind's vision.\u0026quot;\u0026#8212;\u003cem\u003eBlueprint\u003c/em\u003e\u003c/p\u003e\n\n\u003cp\u003e\u0026quot;Deserves a place as a solid student textbook.\u0026quot;\u0026#8212;\u003cem\u003eArchitect\u0026#8217;s Journal\u003c/em\u003e\u003c/p\u003e\n\n\n\u003cp\u003e\u0026quot;Beautiful.\u0026quot;\u0026#8212;\u003cem\u003eProspect\u003c/em\u003e\u003c/p\u003e\n\n\n\u003cp\u003e\u0026quot;Should be an inspiration for students and teachers in any design and technology, engineering or art department... This beautifully produced 500 page book could be used not only for the insight it gives into Kahn\u0026#8217;s design, but also for its extensive series of concept drawings, detailed plans, photographs of architectural models, and sketches and photographs of completed projects.\u0026quot;\u0026#8212;\u003cem\u003eBill Richmond, Times Educational Supplement\u003c/em\u003e\u003c/p\u003e\n\n\u003cp\u003e\u0026quot;The time is ripe for comprehensive critical assessment of [Kahn's] work... McCarter's [...] book is comprehensive in scope, thoroughly researched, well written, extensively illustrated... and beautifully produced by Phaidon... At the end of the book, McCarter concisely grasps and articulates something of the essential truth about Kahn.\u0026quot;\u0026#8212;\u003cem\u003eThe Architectural Review\u003c/em\u003e\u003c/p\u003e\n\n\n\u003cp\u003e\u0026quot;This homage to Kahn is helped by the drama of his prodigious output of theoretical schemes and foiled master plans... When he suceeded, the results were spectacular... This book does him proud.\u0026quot;\u0026#8212;\u003cem\u003eWallpaper*\u003c/em\u003e\u003c/p\u003e \n\n\n\u003cp\u003e\u0026quot;A labour of love... A conscientious review... Kahn, is, after Le Corbusier, the major architectural thinker of the twentieth century, revered as much by Norman Foster as by Robert Venturi.\u0026quot;\u0026#8212;\u003cem\u003eRobert Maxwell, Professor Emeritus of Architecture, Princeton University, Times Literary Supplement\u003c/em\u003e\u003c/p\u003e","webShortDescription":"\u003cp\u003eThe first major monograph dedicated to the work of the internationally acclaimed abstract painter. \u003c/p\u003e"}