9780714866772: The Photobook: A History Volume III

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SKU 9780714866772
Title The Photobook: A History Volume III
Author Description Martin Parr and Gerry Badger
Uri store/photography/the-photobook-a-history-volume-iii-9780714866772/
Web Author Description The work of Martin Parr bridges the divide between art and documentary photography. His studies of the idiosyncrasies of mass culture and consumerism around the world, his innovative imagery and his prolific output have placed him firmly at the forefront of contemporary art. His recent publications include Luxury (2008) and Life Is a Beach (2012). A member of the international photo agency Magnum, Parr is an avid collector of books and a world authority on the photobook.

Gerry Badger is a photo historian, architect and critic. He regularly writes and lectures on photography and has curated a number of exhibitions. His published books include Collecting Photography (2003) and monographs on John Gossage and Stephen Shore, as well as Phaidon’s 55s on Chris Killip (2001) and Eugene Atget (2001). In 2007 he published The Genius of Photography, the book of the BBC television series of the same name, and in 2010 The Pleasures of Good Photographs, an anthology of essays that was awarded the 2011 Infinity Writers' Award from the International Center of Photography, New York.
webLongDescription Following the success of volumes I and II of The Photobook: A History (published in 2004 and 2009 respectively), this is the third volume bringing this study of the photobook fully up to date, with specific exploration of the contemporary, postwar photobook. It covers key themes including the globalization of photographic culture, the personalization of photobooks, the self-publishing boom and the new 'layered' photobook approach.

While the history of photographs is a well-established canon, less critical attention has been directed at the phenomenon of the photobook, which for many photographers is perhaps the most significant vehicle for the display of their work and the communication of their vision to a mass audience. Volume III, co-edited by Martin Parr and Gerry Badger, expands this study and history of the photobook further. It explores the symbiotic relationship between the contemporary propaganda book vs. the protest photobook, sex and youth culture, photographers examining their own environments and the impact of the Internet and social media on the nature of the photobook, among much else.

The book is divided into 9 thematic chapters, each featuring general introductory text providing background information and highlighting the dominant political and artistic influences on the photobook in the period, followed by more detailed discussion of the individual photobooks. The introductory chapter texts are followed by spreads and images from over 200 books, which provide the central means of telling the history of the photobook. Chosen by Parr and Badger, these illustrations show the most artistically and culturally important photobooks in three dimensions, with the cover or jacket and a selection of spreads from the book shown.
Binding Hardback
Size Size: 290 x 250 mm (11 3/8 x 9 7/8 in)
Pages Pages: 320
Illustrations 900

JSON Data

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His studies of the idiosyncrasies of mass\r\nculture and consumerism around the world, his innovative imagery and his\r\nprolific output have placed him firmly at the forefront of contemporary\r\nart. His recent publications include \u003cem\u003eLuxury\u003c/em\u003e (2008) and \u003cem\u003eLife Is a Beach\u003c/em\u003e (2012). A member of the international photo agency Magnum, Parr is an avid\r\ncollector of books and a world authority on the photobook.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u003cstrong\u003eGerry Badger\u003c/strong\u003e is a photo historian, architect and critic. He regularly writes\r\nand lectures on photography and has curated a number of exhibitions.\r\nHis published books include \u003cem\u003eCollecting Photography\u003c/em\u003e (2003) and\r\nmonographs on John Gossage and Stephen Shore, as well as Phaidon’s 55s\r\non Chris Killip (2001) and Eugene Atget (2001). In 2007 he published \u003cem\u003eThe Genius of Photography\u003c/em\u003e, the book of the BBC television series of the same name, and in 2010 \u003cem\u003eThe Pleasures of Good Photographs\u003c/em\u003e, an anthology of essays that was awarded the 2011 Infinity Writers' Award from the International Center of Photography, New York. \r\n","webDescription":"","webKeywords":"","webLongDescription":"Following the success of volumes I and II of \u003cem\u003eThe Photobook: A History\u003c/em\u003e\r\n(published in 2004 and 2009 respectively), this is the third volume\r\nbringing this study of the photobook fully up to date, with specific\r\nexploration of the contemporary, postwar photobook. It covers key themes including the globalization of photographic culture, the\r\npersonalization of photobooks, the self-publishing boom and the new\r\n'layered' photobook approach.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nWhile the history of photographs is a well-established canon, less\r\ncritical attention has been directed at the phenomenon of the photobook,\r\nwhich for many photographers is perhaps the most significant vehicle\r\nfor the display of their work and the communication of their vision to a\r\nmass audience. Volume III, co-edited by Martin Parr and Gerry Badger,\r\nexpands this study and history of the photobook further. It explores the\r\nsymbiotic relationship between the contemporary propaganda book vs. the\r\nprotest photobook, sex and youth culture, photographers examining their\r\nown environments and the impact of the Internet and social media on the\r\nnature of the photobook, among much else.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nThe book is divided into 9 thematic chapters, each featuring general\r\nintroductory text providing background information and highlighting the\r\ndominant political and artistic influences on the photobook in the\r\nperiod, followed by more detailed discussion of the individual\r\nphotobooks. The introductory chapter texts are followed by spreads and\r\nimages from over 200 books, which provide the central means of telling\r\nthe history of the photobook. Chosen by Parr and Badger, these\r\nillustrations show the most artistically and culturally important\r\nphotobooks in three dimensions, with the cover or jacket and a selection\r\nof spreads from the book shown.\r\n","webReviews":"\u003cp\u003e\u0026quot;For those who have enjoyed volumes I and II, volume III comes as a delightful, and unexpected surprise. Highly readable and entertaining, an historical resource. An absolute must for anyone interested in \u0026#8211; or anyone intending making \u0026#8211; photo books.\u0026quot;\u0026#8212;\u003cem\u003eBlack and White Photography\u003c/em\u003e\u003c/p\u003e","webShortDescription":"An authoritative illustrated survey of the modern photobook.\u003cbr /\u003e\r\n"}