9780714867052: Monica Bonvicini
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| SKU | 9780714867052 |
|---|---|
| Title | Monica Bonvicini |
| Author Description | Survey by Janet Kraynak, Interview by Alexander Alberro, Focus by Juliane Rebentisch, Artist's Writings by Monica Bonvicini |
| Uri | store/art/monica-bonvicini-9780714867052/ |
| Web Author Description | Janet Kraynak is a New York-based art historian, curator, and Visual Arts Program Coordinator at the Eugene Lang College. A regular contributor to magazines such as Artforum, Art Journal, Grey Room and Frieze, Kraynak's interest in performance strategies and the development of linguistically-based artworks brought her to extensively research the work of Bruce Nauman, and to edit two seminal publications focused on his practice, Please Pay Attention Please: Bruce Nauman's Words: Writings and Interviews (MIT Press, 2003) and Reiterating Nauman (University of Minnesota Press, 2013). Alexander Alberro is Virginia Bloedel Wright '51 Associate Professor of Art History at Barnard College as well as a recipient of fellowships from the National Endowment of the Humanities, the George A. and Eliza Howard Foundation, and the Whitney Museum of American Art. He is the author of Conceptual Art and the Politics of Publicity (2000), and has edited or co-edited a number of books on contemporary art, including Conceptual Art: A Critical Anthology (MIT Press, 1999), Recording Conceptual Art (University of California, 2001), and The Ruin of Exchange (JRP/Ringier, 2012). Juliane Rebentisch is a Professor of Philosophy at the University of Frankfurt. She is the author of numerous essays and books, including Ästhetik der Installation (2003) and Stage of Life: Rhetorics of Emotion (2007). Monica Bonvicini (Venice, 1965) is a Berlin-based, award-winning, multimedia artist whose work questions issues such as architecture, power and gender by setting a dynamic and often critical relationship with the artistic form. |
| webLongDescription | Architecture, power, space, gender, surveillance and authority are the issues that have animated Monica Bonvicini's work for the past two decades. Her installations, sculptures, drawings, and films often rise questions about how the built environment shapes, conditions, and controls viewers as subjects and, in the process, dictates our phenomenological, sexual, and psycho-social relationship to space. The book provides an overview of Bonvicini's artistic production reconsidering her past work, tracing its current trajectories, and creating a geography that charts the terrain of the artist's attempts to embody and negotiate the very same architecture of history it challenges. Italian-born, Berlin-based Bonvicini won the Golden Lion at the Venice Biennale (2001), the Kunst Preis in Berlin (2005) and the Roland Preis in Bremen (2012). Her work has been featured in the most prominent biennials, including Venice (2001, 2005 and 2011), Istanbul (2004), Gwangju (2006), New Orleans (2008) and Berlin (2003). Institutions where she had solo exhibitions include the the Art Institute of Chicago (2009), the Kunstmuseum Basel (2009), the Kunsthalle Fridericianum in Kassel (2011), CAC Malaga (2011), and the Hamburger Deichtorhallen (2012). |
| Binding | Paperback |
| Size | Size: 290 x 250 mm (11 3/8 x 9 7/8 in) |
| Pages | Pages: 160 |
| Illustrations | 200 |
JSON Data
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A regular contributor to magazines such as \u003cem\u003eArtforum\u003c/em\u003e, \u003cem\u003eArt Journal\u003c/em\u003e, \u003cem\u003eGrey Room\u003c/em\u003e and \u003cem\u003eFrieze\u003c/em\u003e,\r\nKraynak's interest in performance strategies and the development of\r\nlinguistically-based artworks brought her to extensively research the\r\nwork of Bruce Nauman, and to edit two seminal publications focused on\r\nhis practice, \u003cem\u003ePlease Pay Attention Please: Bruce Nauman's\r\nWords: Writings and Interviews\u003c/em\u003e (MIT Press, 2003) and \u003cem\u003eReiterating Nauman\u003c/em\u003e (University of Minnesota Press, 2013). \u003c/p\u003e\r\n\u003cp\u003eAlexander Alberro is Virginia Bloedel Wright '51 Associate\r\nProfessor of Art History at Barnard College as well as a recipient of fellowships from the National Endowment of the\r\nHumanities, the George A. and Eliza Howard Foundation, and the Whitney\r\nMuseum of American Art. He is the author of \u003cem\u003eConceptual Art and the Politics of Publicity\u003c/em\u003e\r\n(2000), and has edited or co-edited a number of books on contemporary art, including \u003cem\u003eConceptual Art: A Critical Anthology \u003c/em\u003e(MIT Press, 1999), \u003cem\u003eRecording Conceptual Art \u003c/em\u003e(University of California, 2001), and \u003cem\u003eThe Ruin of Exchange\u003c/em\u003e (JRP/Ringier, 2012).\r\n\u003c/p\u003e\r\n\u003cp\u003eJuliane Rebentisch is a Professor of Philosophy at the\r\nUniversity of Frankfurt. She is the author of numerous essays and books, including\u003cem\u003e Ästhetik der Installation\u003c/em\u003e (2003) and\r\n\u003cem\u003eStage of Life: Rhetorics of Emotion\u003c/em\u003e (2007).\u003c/p\u003e\r\n\u003cp\u003eMonica Bonvicini (Venice, 1965) is a Berlin-based, award-winning, multimedia artist whose work questions issues such as architecture, power and gender by setting a dynamic and often critical relationship with the artistic form. \u003c/p\u003e\r\n","webDescription":"","webKeywords":"","webLongDescription":"\u003cp\u003eArchitecture, power, space, gender, surveillance and authority are the issues that have animated Monica Bonvicini's work for the past two decades. Her installations, sculptures, drawings, and films often rise questions about how the built environment shapes, conditions, and controls viewers as subjects and, in the process, dictates our phenomenological, sexual, and psycho-social relationship to space. The book provides an overview of Bonvicini's artistic production reconsidering her past work, tracing its current trajectories, and creating a geography that charts the terrain of the artist's attempts to embody and negotiate the very same architecture of history it challenges.\u003c/p\u003e\u003cp\u003eItalian-born, Berlin-based Bonvicini won the Golden Lion at the Venice Biennale (2001), the Kunst Preis in Berlin (2005) and the Roland Preis in Bremen (2012). Her work has been featured in the most prominent biennials, including Venice (2001, 2005 and 2011), Istanbul (2004), Gwangju (2006), New Orleans (2008) and Berlin (2003). Institutions where she had solo exhibitions include the the Art Institute of Chicago (2009), the Kunstmuseum Basel (2009), the Kunsthalle Fridericianum in Kassel (2011), CAC Malaga (2011), and the Hamburger Deichtorhallen (2012).\u003c/p\u003e","webReviews":"\u003cp\u003eOn the \u003cem\u003eContemporary Artists Series\u003c/em\u003e\u003c/p\u003e\u003cp\u003e\n\n\u003c/p\u003e\u003cp\u003e\u0026quot;The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about.\u0026quot;\u0026#8212;\u003cem\u003eArtforum\u003c/em\u003e\u003c/p\u003e\n\n\u003cp\u003e\u0026quot;The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art.\u0026quot;\u0026#8212;\u003cem\u003eTime Out\u003c/em\u003e\u003c/p\u003e\n\n\u003cp\u003e\u0026quot;A unique series of informative monographs on individual artists.\u0026quot;\u0026#8212;\u003cem\u003eThe Sunday Times\u003c/em\u003e\u003c/p\u003e\n\n\u003cp\u003e\u0026quot;Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment.\u0026quot;\u0026#8212;\u003cem\u003eThe Art Book\u003c/em\u003e\u003c/p\u003e\n","webShortDescription":"The first exhaustive monograph on the work of the multi-media, award winning artist.\u003cbr /\u003e\r\n"}